 |
| Kaye George |
We're welcoming Kaye George, author of the hilarious CHOKE, the first in the Imogene Duckworthy mystery series, to Cooks Inn Mysteries as it's first guest blogger, and we're very excited she's stopping by.
Kaye is a short story writer, a mystery novelist, and the president of Sister in Crime Guppies Chapter. She reviews for "Suspense Magazine" and writes for several newsletters and blogs. She lives near Austin, Texas.
You knew there was a darker side to food, and it's not burnt toast. Today Kaye takes us to the dark side as she writes about:
Should you? Could you? Sure you could. I have, and others have too.
I suppose the best way to use food is as a vehicle for poison. Joseph Kesselring did a masterful job in "Arsenic and Old Lace," a stage play later adapted for screen. In case you've never seen the play or movie, the demented old ladies used elderberry wine to deliver arsenic, strychnine, and just a pinch of cyanide to the men they murdered. They wanted to make sure they got the job done.
I'll bet most mystery writers have used poison at one time or another. Dame Agatha used it, among other things, in "And Then There Were None." She used poison in several other works also. Sir Arthur used it at least twice: "A Study in Scarlet" and "The Adventure of the Devil's Foot." Shakespeare resorted to poison in "Hamlet" and "Romeo and Juliet."
But food isn't the weapon when we're poisoning. Poison is. How about killing with actual food?
You can use food that people are allergic to, such as peanuts or shellfish. I used toxic mushrooms in an unpublished work. My research, alas, showed that the mushrooms were unlikely to cause outright death, but I used them to unbalance the guy so he was easier to kill later by conventional means--gunshot.
The most famous example is Roald Dahl, a twisted individual if there ever was one. Delightful, but twisted.
In Dahl's "Lamb to the Slaughter" Mary, the wife of a police detective, murders him, trancelike, with a leg of lamb from the freezer when he implies he's leaving her. By the time the investigators are ready to leave, she has cooked the lamb and, when she offers it to them, they all sit down to eat--and destroy--the weapon.
I myself used a package of frozen sausage to kill off Imogene Duckworthy's Uncle Huey in "Choke." That long, narrow tube is just the right size to cut off oxygen. The research for that was fun. I bought a few packages of frozen, uncooked sausage first of all. I let one thaw to see how many hours would bring it to the consistency I wanted when the body was discovered, then backtracked for the time of the murder. I then got another one out, thawed slightly, and put a shoe print in it. My idea was to have a print that could be identified. It didn't work as well as I wanted it to, but close enough to use.
Both mine and Dahl's tales are humorous in our use of food weapons. Kesselring's is, too. Can one be serious when killing with comestibles in fiction? I'm not going to try it.
Has anyone out there used food as a weapon? Read a mystery that uses it?